We Produce:
* True frescoes breaks (on tense as a finished picture) Each image is hand painted by us!
*Frescoes demolitions - and painted - Special glue wallpaper using which is removable)
*Trompe-l'œil, and S/Graffito murals ....
* Doors and furniture painted or decorate ornamental, gilding and modern designs.
* Project workers like crest, logos and are willing to implement the right.
*For field service, we are happy to make you an offer.
Thank you
Fine Arts Gallery
Modern and classic art.
- Real Strappo Frescoes, each Painting is handmade by us!
- Frescoes and Paintings also as Upholstery (Special detachable glue)
- Tromple Oeil, Murales, Sgraffitis, Murales and Portraits….
- Painted or decorated doors and furniture, gilding on them also on project paintings.
- Ornamental decorations and modern creations.
-Projects for work on request, custom logos.
- The technique of the tearing of frescoes is our primary work, both on canvas as a painting or on the wall also as tore to tapestry.
- Trompl oeil, Acrylics, portraitist and on request we paint your wishes.
The Fresco Technique
It's a pictorial tecnique by which a paintings is performed on a moist,
plaster suface. In this way is utilized the peculiarity of lime mixed whit
fluvial sand that, through a slow process of dessication, forms a plaster
having an hard and crystalline surface. In it colours remain tenacious fixed
for an unlimited period and gain an extraordinary resistance to atmospheric agents.
Dyestuffs used for fresco are made of mineral pigments.
The technical execution has the characteristic of great rapidity and pictorial skill.
It's a pictorial tecnique by which a paintings is performed on a moist,
plaster suface. In this way is utilized the peculiarity of lime mixed whit
fluvial sand that, through a slow process of dessication, forms a plaster
having an hard and crystalline surface. In it colours remain tenacious fixed
for an unlimited period and gain an extraordinary resistance to atmospheric agents.
Dyestuffs used for fresco are made of mineral pigments.
The technical execution has the characteristic of great rapidity and pictorial skill.
It's a pictorial tecnique by which a paintings is performed on a moist,
plaster suface. In this way is utilized the peculiarity of lime mixed whit
fluvial sand that, through a slow process of dessication, forms a plaster
having an hard and crystalline surface. In it colours remain tenacious fixed
for an unlimited period and gain an extraordinary resistance to atmospheric agents.
Dyestuffs used for fresco are made of mineral pigments.
The technical execution has the characteristic of great rapidity and pictorial skill.
Fresco transfer
It's the technique of tearing off frescoes from a wall when
the absorption of carbon dioxide from the air and the following
formation of carbonates have taken place(*). In order to remove
a fresco, a cloth is laid on the wallpainting and a coat of animal
glue is spread hereon. Once the cloth dries up, it will come smoothly
off and keep the superficial fascia of fresco in the manner of a negative.
Fresco transfer
It's the technique of tearing off frescoes from a wall when
the absorption of carbon dioxide from the air and the following
formation of carbonates have taken place(*). In order to remove
a fresco, a cloth is laid on the wallpainting and a coat of animal
glue is spread hereon. Once the cloth dries up, it will come smoothly
off and keep the superficial fascia of fresco in the manner of a negative.
Fresco transfer
It's the technique of tearing off frescoes from a wall when
the absorption of carbon dioxide from the air and the following
formation of carbonates have taken place(*). In order to remove
a fresco, a cloth is laid on the wallpainting and a coat of animal
glue is spread hereon. Once the cloth dries up, it will come smoothly
off and keep the superficial fascia of fresco in the manner of a negative.
Fresco reproduction
Then the first layer is covered with water-insoluble glue,
while a stronger cloth is laid on it. This will be the final base.
Once the second glue is dried up, the removal will be carried on using a
lot of hot water dissolving the first glue and making the fresco finally
fixed on the second cloth. In this way the reproduction is obtained,
and the copy can be put on every kind of surface (both a wooden frame and a wall).
The aesthetical effect of a fresco will be greatly decorative and original.
(*) Chemical process by which colours penetrate into moist plaster, dry up slowly
and properly, and become one and the same with the wall.
So they can be permanent over the millennia.
Fresco reproduction
Then the first layer is covered with water-insoluble glue,
while a stronger cloth is laid on it. This will be the final base.
Once the second glue is dried up, the removal will be carried on using a
lot of hot water dissolving the first glue and making the fresco finally
fixed on the second cloth. In this way the reproduction is obtained,
and the copy can be put on every kind of surface (both a wooden frame and a wall).
The aesthetical effect of a fresco will be greatly decorative and original.
(*) Chemical process by which colours penetrate into moist plaster, dry up slowly
and properly, and become one and the same with the wall.
So they can be permanent over the millennia.
Fresco reproduction
Then the first layer is covered with water-insoluble glue,
while a stronger cloth is laid on it. This will be the final base.
Once the second glue is dried up, the removal will be carried on using a
lot of hot water dissolving the first glue and making the fresco finally
fixed on the second cloth. In this way the reproduction is obtained,
and the copy can be put on every kind of surface (both a wooden frame and a wall).
The aesthetical effect of a fresco will be greatly decorative and original.
(*) Chemical process by which colours penetrate into moist plaster, dry up slowly
and properly, and become one and the same with the wall.
So they can be permanent over the millennia.
performed on a moist, plaster suface. In this
way is utilized the peculiarity of lime
mixed whit fluvial sand that, through a slow
process of dessication, forms a plaster having
an hard and crystalline surface. In it colours
remain tenacious fixed for an unlimited period
and gain an extraordinary resistance to atmospheric
agents. Dyestuffs used for fresco are made of mineral
pigments. The technical execution has the characteristic
of great rapidity and pictorial skill.
which a paintings is
performed on a moist,
plaster suface. In this
way is utilized the
peculiarity of lime
mixed whit fluvial sand
that, through a slow
process of dessication,
forms a plaster having
an hard and crystalline
surface. In it colours
remain tenacious fixed
for an unlimited period
and gain an extraordinary
resistance to atmospheric
agents. Dyestuffs used for
fresco are made of mineral
pigments. The technical
execution has the characteristic
of great rapidity and pictorial skill.
which a paintings is
performed on a moist,
plaster suface. In this
way is utilized the
peculiarity of lime
mixed whit fluvial sand
that, through a slow
process of dessication,
forms a plaster having
an hard and crystalline
surface. In it colours
remain tenacious fixed
for an unlimited period
and gain an extraordinary
resistance to atmospheric
agents. Dyestuffs used for
fresco are made of mineral
pigments. The technical
execution has the characteristic
of great rapidity and pictorial skill.
It's the technique of tearing off frescoes from
a wall when the absorption of carbon dioxide
from the air and the following formation of carbonates
have taken place(*). In order to remove a fresco, a cloth
is laid on the wallpainting and a coat of animal glue is
spread hereon. Once the cloth dries up, it will come smoothly
off and keep the superficial fascia of fresco in the manner of a negative.
Then the first layer is covered with water-insoluble glue,
while a stronger cloth is laid on it. This will be the final base.
Once the second glue is dried up, the removal will be carried on using a
lot of hot water dissolving the first glue and making the fresco finally
fixed on the second cloth. In this way the reproduction is obtained,
and the copy can be put on every kind of surface (both a wooden frame and a wall).
The aesthetical effect of a fresco will be greatly decorative and original.
(*) Chemical process by which colours penetrate into moist plaster, dry up slowly
and properly, and become one and the same with the wall.
So they can be permanent over the millennia.